Artwork page for ‘Identity Transfer 1’, VALIE EXPORT, 1968, printed late 1990s on display at Tate Liverpool. Set over the course of approximately a year, it follows Anna as she becomes convinced that a group called the Hyksos, a mysterious ancient Egyptian tribe known for their sudden appearance and disappearance, have appeared on earth and are replacing people with their doubles. Biography of VALIE EXPORT Childhood. VALIE EXPORT Identity Transfer 1 1968 Not on view In 1967, in a radical gesture, the artist VALIE EXPORT shed both her father’s and husband’s names to take on a new identity, simultaneously announcing her presence on the art scene. Valie Export (often written as 'VALIE EXPORT') (born May 17, 1940 in Linz as Waltraud Lehner, later Waltraud Höllinger) is an Austrian artist. Waltraud Lehner, dite Valie Export (souvent écrit en majuscules : VALIE EXPORT) est une artiste autrichienne née en 1940 à Linz. The photograph shows EXPORT holding the packet at arm's length, presenting it to the camera defiantly. I am very happy that my archive with its works and library is conducive to interdisciplinary research. It was acclaimed by the critics, being called "a witty and visually brilliant essay on gender and experience, culture and environment" and "of the richest avant-garde features of the 1970s. Her works – including films, photographs and performances – expanded the transgressive ideas of Viennese Actionism to … At age twenty-eight, Waltraud Hollinger changed her name to VALIE EXPORT, in all uppercase letters, to announce her presence in the Viennese art scene. Stamped with the words VALIE EXPORT in what looks like an official endorsement of the image, the poster registers a distinctly female aggression that unashamedly pictures women's sexuality as part of a revolutionary posture. SMART EXPORT is a photograph in which the artist replaces the branding on a pack of cigarettes with her own image and logo. Although examining Anna's experience of alienation from herself and the world around her, the film is not focused on recounting a narrative but instead uses the plot as a hinge through which to interrogate themes of gender, relationships and society. This silkscreened poster shows the artist sitting in her 1968 Aktionhose (Action pants) - a pair of Mustang jeans that had their crotch cut away so that the artist's genitals would be visible when wearing them - with legs open and hair messed up to frame her face, she holds a machine gun and stares out at the viewer. View exhibitions and artworks by Valie Export and enquire about works available for sale. VALIE EXPORT Adjungierte Dislokation III. Walking in the street during a film festival in Vienna, EXPORT wore a styrofoam box extending roughly six inches from her body, a hole cut out of the front with a curtain covering it, resembling the architecture of a movie theater. Valie Export. The Museo Reina Sofía radio station. Interrupting the voyeuristic pleasure of looking at the female body with its actual reality, EXPORT intervened into the depiction of passive sexualized women with an active and confrontational female body. This was in the service of reimagining sex in both representation and practice; EXPORT explains that "as long as the citizen remains satisfied with a reproduced copy of sexual freedom, the state will be spared a sexual revolution". The best thing is to subscribe to the newsletter: [email protected] —[O] Latest Ocula Editorial. The film, which uses a number of avant-garde cinematic techniques, is edited almost as a collage and reflects the artist's interests and influences, such as Surrealism, still photography, and her childhood obsession with the Hyksos. Skip to Main Content. By marking her skin in this way, Body Sign Action depicts the link between femininity, sensuality, sexuality and ornamentation. In this photograph, she announces her chosen identity to the current art scene. She recalls noticing that "something was really not right, that boys were allowed to do so much more than girls." Demonstrating her continued and developing interest in the ways in which film invites voyeurism (also seen in Tapp und Tastkino), Genitalpanik 1 and 2 challenged the fear and repression of the female body through this combative gesture. Artists Artworks. Biography. There's only room inside for two hands. Carta(s) Magazine. Pour en savoir plus sur Valie Export, parcourez ses œuvres dans les galeries, ses lots mis aux enchères, son actualité et bien plus encore. Making visible the shapes of the streetscape and the body's relationship to them, the photograph is overlaid with a thick red line that follows the curve highlighted by the pose. An experimental film, it is based loosely around a plot that centers on the character of Anna, a photographer played by Susanne Widl. All rights reserved. The addition of the gun, along with the artist's antagonistic pose and confrontational stare into the camera, registers the artist's aggression against the conventional expectations of the presentation of women and their bodies. While in Encirclement the artist's body contours the curb, in other photographs of the same series her body appears in fetal position contrasting with the hard edge of a building. VALIE EXPORT Artworks in the collection See all the artworks . All Rights Reserved. The pack of Smart Export cigarettes, an Austrian brand associated with working class men, is altered by the artist: the brand "Smart", written in curling cursive, is replaced with "VALIE" written in capital letters; a map of Europe is overlaid with a picture of EXPORT's face. Although the Körperkonfigurationen series is not as provocative as EXPORT's Aktionhose: Genitalpanik or Tapp und Tastkino, this series still considers questions of gender. This and more works of Export, Valie available at kunstmatrix.com Wearing her Aktionhose, EXPORT walked through the rows of a movie theater turning to face those seated so that her exposed genitals were at the viewer's eye level in order to create "indirect sexual contact with the audience". Artists Artworks. [Internet]. Read our contemporary artist biography and browse related content. Valie Export Valie Export. Videos, audio and podcasts. Naissance: 1940 ou 17 mai 1940 Linz. Gelatin silver print - Museum of Modern Art, New York City. More. From Richard Saltoun, VALIE EXPORT, Aktionshose: Genitalpanik (1969), Silk-screen print, 69.5 × 49.5 cm. Valie Export (125 results) She is recognized as one of the most important early feminist artists, who reconsiders the ways in which the body is presented and challenges its representation as passive in conventional film and media, offering complex and challenging depictions … Screenprint - Museum of Modern Art, New York City. Valie Export was born in 1940. Auctions. S’éloignant d’un actionnisme féministe, VALIE EXPORT développe une œuvre protéiforme, souvent conceptuelle, dont le militantisme s’atténue dans ses travaux les plus tardifs. Elle réalise à la fois des performances , des vidéos et des photographies Unlike the apparently affirmative treatment of mass cultural by Pop artists like Andy Warhol or Roy Lichtenstein, she adopts its language in order to propose something aggressive and challenging, adulterating its appearance in order to transform herself into a brand and a product. A publication on art, politics and the public sphere. The pack of Smart Export cigarettes, an Austrian brand associated with working class men, is altered by the artist: the brand "Smart", written in curling cursive, is replaced with "VALIE" written in capital letters; a map of Europe is overlaid with a picture of EXPORT's face. Find artworks by Valie Export (Austrian, 1940) on MutualArt and find more works from galleries, museums and auction houses worldwide. According to the artist, in this work the body externalizes internal states by depicting the contrast between the organicity of the human body and the severity of the urban landscape, while also presenting the body as a complement to the architecture and urban setting. This image is related to the artist's name change. The Museo Reina Sofía radio station. Multimedia. As the title confirms, this work makes reference to Lean In 1976 by VALIE EXPORT (born 1940), a black and white photograph in which the Austrian performance artist is depicted lying on her back on the end of a stone block at the base of a building. Seeking to complicate the structures of film and its reception in a work of expanded cinema (briefly defined as the exploration of the possibilities of the medium beyond the projection of a film strip on a screen), EXPORT claimed it as "the first real women's film". Artist : Valie Export | Daily Art Fair is the International modern and contemporary art galleries for Current, Past and Futur Galleries exhibitions all around the world. Période d'activité : 2005. Museo en red. SMART EXPORT is a photograph in which the artist replaces the branding on a pack of cigarettes with her own image and logo. Retrouvez les œuvres d’art en vente et toutes les informations sur Valie Export (autrichien, 1940). Multiple galleries around the world represent and exhibit Valie Export's work, including galleries in countries such as Austria, the United States, and Germany. Desacuerdos Magazine. That artist's insistent stare seems to issue a challenge to the viewer that demands recognition of not only her own biological reality but also her subjecthood, refusing to conceal her sexuality - literally and figuratively - and at the same time rejecting the passive role that sexualized women are expected to adopt. VALIE EXPORT is a contemporary Austrian artist known for her photographs and radical performances that enter the public into a discourse regarding the female body and male gaze. Positioned in the same place that a real garter belt would be, EXPORT makes permanent a costume that symbolizes sex and sensuality. The VALIE EXPORT Center has also developed its own distinctive structures to meet the demands of free scientific research, which go beyond the museum's space and expand it. "VALIE EXPORT Artist Overview and Analysis". VALIE EXPORT is a contemporary Austrian artist known for her photographs and radical performances that enter the public into a discourse regarding the female body and male gaze. Only the movie theatre has become a bit smaller. Moving through the crowd, EXPORT invited passersby to put their hands under the curtain and touch her naked breasts, denying them the more conventional visual experience of the erotically charged gaze at the sexualised female form, and instead offering the experience of touch in order to critique the ways in which women's bodies were shown in cinema. 1978-1997. Her Action Pants: Genital Panic (1968)—both a performance and a set of 6 posters—shows Export sitting on a bench with crotchless pants. ©2021 Artnet Worldwide Corporation. With that, the curtain, which up till now was raised only for the eyes, is finally raised for both hands too. The photograph … Collection of thought and debate. VALIE EXPORT – interview: ‘My artworks are still a rebellion against the Catholic faith’ The pioneering Austrian feminist artist talks about breaking taboos and provoking aggressive responses – in the 1960s and now – ahead of a reinstallation of her 1980 Venice Biennale works at London’s Galerie Thaddaeus Ropac VALIE EXPORT, 2019. Find the latest shows, biography, and artworks for sale by VALIE EXPORT She entered a cinema wearing trousers with a triangle of fabric removed at the crotch and walked between the rows of seated viewers. Retrouvez les œuvres d’art en vente et toutes les informations sur Valie Export (autrichien, 1940). Throughout the series, the geometry of the city is emphasized by bodies that mirror shapes in architecture, and the prints are accented with interventions such as the red line in Encirclement or in black ink applied over silver gelatin prints. According to the artist, this work also emphasizes the life-span of art - being inscribed on the body, the lifespan of the work will be defined by the lifespan of the artist. The image relates to two performances - Gentialpanik 1 and Genitalpanik 2 which took place on 22nd April 1969 in the Augusta Lichtspiele, an independent cinema in Munich. Find the latest shows, biography, and artworks for sale by VALIE EXPORT EXPORT's examination of the ways in which the body - especially women's bodies - are rendered passive in film preempts later critiques such as Laura Mulvey's "Visual Pleasure and Narrative Cinema" (1975) which considers how women on screen are objectified and presented so as to invite a sexualized male gaze. Skip to Main Content. ", Gelatin silver print with red ink - Museum of Modern Art, New York City, Unsichtbare Gegner (Invisible Adversaries) is EXPORT's first feature film. Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. Seeking to complicate the existing understanding of the body in cinema, as well as the presumed hetrosexuality of the gaze, Tapp und Tastkino offers a physical engagement between the viewer/user and the artwork, moving beyond conventional modes of viewing and acting as an early example of EXPORT's feminist challenge to cinema. Directed and produced by EXPORT, and written by EXPORT and Peter Wiebel (who also played the role of Anna's boyfriend), the film draws on tropes of science fiction - particularly the 1956 film Invasion of the Body Snatchers - in order to re-imagine them through feminism. In order to see the film, meaning in this case to sense and feel it, the viewer (user) must guide his or her two hands into the movie theatre by way of the entrance. Gelatin Silver Print - Museum of Modern Art, New York City, In this photograph a woman traces the Viennese urban landscape with her body, arching her back so as to mirror the curve of the curb. Artworks. Viewing Rooms. The series also contains images of her body becoming bridges and triangles when juxtaposed with the city's architecture. Her action was intended to confront the cliché of women’s cinematic representation as passive objects. Furthermore, the use of tattooing also draws on the connections between tattoos, criminality and degeneracy as theorized by the Austrian architect and theorist Adolf Loos in his text Ornament and Crime (1910). Auctions. Pour en savoir plus sur Valie Export, parcourez ses œuvres dans les galeries, ses lots mis aux enchères, son actualité et bien plus encore. Austrian artist VALIE EXPORT adopted her pseudonym in 1967 to reject the names of both her father and of her former husband and assume a sort of commercial brand identity. ©2021 The Art Story Foundation. View the artwork: Body Sign by Export, Valie, 107.0 x 71.5 cm. Performance; Video, 1.08 minutes - Museum of Modern Art, New York City. Galleries and Exhibitions. Aktionhose: Genitalpanik is possibly VALIE EXPORT's most notorious work. VALIE EXPORT is a contemporary Austrian artist known for her photographs and radical performances that enter the public into a discourse regarding the female body and male gaze. Her artistic work includes video installations, body performances, expanded cinema, computer animations, photography, sculptures and publications covering contemporary arts. It is one of a series of body configurations that EXPORT undertook in the mid-1970s in the Körperkonfigurationen (Body Configurations) series (1972-76). In tattooing this on to her skin, EXPORT examines the construction of female sexuality as heavily coded and repressed. Austrian Photographer, Filmmaker, and Performance Artist. However, this is not done as part of an uncritical embrace of capitalism but instead is a challenge, visible in the artist's self-presentation in this image where her pose and facial expression are rebellious and insolent, and her dress and defiant stance which evoke the youth protest movements of the 1960s. Ce qui relève de la « vidéo sculpture » ou des installat The posters … Sign up. From an early age, VALIE EXPORT was attuned to the social injustices around her and particularly to gender inequality. Retrouvez les œuvres d’art en vente et toutes les informations sur Valie Export (autrichien, 1940). Tapp und Tastkino then, offers a challenge to the patriarchal structures of film and, in art historian Roswitha Mueller's terms, represents "a woman's first step from object to subject." In foregrounding the tattoo, she also connects the artwork to the body. As noted by the art critic Roberta Smith on the occasion of EXPORT's first solo exhibition in New York in 2000, "EXPORT seems to be haunting Vienna, inserting herself into places that are overpowering and by definition male. Log in. Pour en savoir plus sur Valie Export, parcourez ses œuvres dans les galeries, ses lots mis aux enchères, son actualité et bien plus encore. She states: "As always, the screening takes place in the dark. In Aktionhose: Gentialpanik, this gesture is both recorded and amplified. Der Mensch Als Ornament' (The Human as..., 1976, Photo/Literatur, Schriftzug (Wien-Venedig)..., 1973, ZUHOCKUNG II' (SQUAT IN II) (FROM..., 1972, EINKREISUNG' (ENCIRCLEMENT) (FROM..., 1976, ERWARTUNG (EXPECTATION) (FROM NACHSTELLUNGEN , 1976, SPUREN: ID-GRAVIS (screen in 3 parts), 2000–2001, “SPUREN: ID-GRAVIS” (traces: ID-GRAVIS), 2000–2001. Available for sale from lokal_30, VALIE EXPORT, Video still. VALIE EXPORT's work is expressly political, questioning the ways in which society functions, and particularly how women are perceived and treated. Her Action Pants: Genital Panic (1968)—both a performance and a set of 6 posters—shows Export sitting on a bench with crotchless pants. Through the engagement with everyday objects, SMART EXPORT connects this to the artist's interest in mass media and advertisement. Waltraud Höllinger was now VALIE EXPORT, having changed her name as a symbol of her refusal of patriarchal structures, rejecting both her father's and her ex-husband's surnames and instead creating something new. ", Content compiled and written by Vitoria Hadba-Groom, Edited and published by The Art Story Contributors. Artists Hans Schwarz, Inge Morath and Kiki Kogelnik are of the same generation and same country as Valie Export. Traced in black lines, it pictures parts of a garter belt, particularly the clip and a line of the top of a sheer stocking, offering a suggestion of stockings and suspenders permanently worn. Editorial. Skip to Main Content. À partir des années 1990, elle poursuit une œuvre moins radicale, qui fait appel à des vidéos et des installations expérimentales interactives. The tactile reception stands against the deception of voyeurism [...] Tapp und Tastkino is an example for the activation of the audience through new interpretation." Artwork page for ‘Action Pants: Genital Panic’, VALIE EXPORT, 1969 This set of posters was produced to commemorate an action performed by VALIE EXPORT in Munich in 1968. Body Sign Action shows EXPORT's naked body from the waist down, focusing on her upper thigh in order to allow the viewer a clear picture of a tattoo. She stands in the background of the image with a cigarette held in her mouth, one hand on her hip and staring back at the viewer. 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